in the wind of a sneeze
i wanted to build a house
the way ants do
hauling crumbs
four times their size
its brick walls would stack neatly
i wanted people inside
but didn't plan on a naked man
and a girl floating
as if to escape
my scissors took over
irregular rectangles fell
bricks sailed
in dizzy alignments
and windows flew away
on the wings of black birds
collage and poem first printed in Mannequin Envy
i wanted to build a house
the way ants do
hauling crumbs
four times their size
its brick walls would stack neatly
i wanted people inside
but didn't plan on a naked man
and a girl floating
as if to escape
my scissors took over
irregular rectangles fell
bricks sailed
in dizzy alignments
and windows flew away
on the wings of black birds
collage and poem first printed in Mannequin Envy
Open WeaveThis collage looks like a weaving but it's all actually glued. The thin strips are composed with magazine text that is mostly illegible, but there is some readable text for those who look hard enough. Framed, the collage is raised above an off-white mat so that it is partially see-through and there is a lovely shadow effect. The other materials are embossed paper, magazine images, gold and silver watercolor, joss paper. Serves Four (another collage, see below) is made the same way and shows more of the detail. 14" x 12 3/4".
Making this collage, I had in mind a dear friend who has recently died. Accepting the spectrum of genders within himself, he preferred to wear dresses – encouraging me to do the same. This poem is under the glass baubles:
summer evening raining green
looking for step down to the door
the home that disappeared
the bed still hides
under the clover
Collage and poem first printed in Houston Literary Review
summer evening raining green
looking for step down to the door
the home that disappeared
the bed still hides
under the clover
Collage and poem first printed in Houston Literary Review
Prayer
You were bubbles
of wonder when we met
that went pop, pop, pop,
Each blow from life
was struck by electric shock
that made you forget.
You came to my studio
for a drawing class that day
and pleaded, Do you pray?
Will you pray for me?
Will you pray for me?
I'd said yes, to calm you,
not knowing how,
until another day when I saw
your face in my collage.
your face in my collage.
For your hair, I glued
a grass topiary halo, dotted
with a band of pansies
and marigolds.
I stitched your dress from periwinkles
that blew in cartwheels
to pollinate the sky. Snails the size
of fingernails rolled
over your past.
That day I'd said,
Don't be afraid of sadness.
Wearing a purse around
your neck, you sunk into
the soft bed, my couch, where
a young male Daoist once
dreamed of nothingness.
collage and poem first printed in Mannequin Envy
My Mouth is a Hollowed Apple
I swallowed the seeds and core.
Do strawberry men feel vulnerable
wearing their seeds on the outside?
I swept the playground with a tree branch.
Boys chased me; I fell and skinned my knees.
At snack time, we had graham crackers and milk
then took a nap.
I wore a tight slip to flatten the symbols
rising on my chest.
rising on my chest.
The first boy who grabbed at them
forgot I was his friend.
Blood oranges have blemishes,
other changes no one warned me about.
I wanted the blood to stop.
first published in Soundzine
Foodscape
Allergic to common fare,
she tries to derive sustenance
from square boxes
Prowling the grocery aisles
her hunger shakes packaged granules
She craves a small plate of friendship
a beckoning hand or caress
gently curved around her middle
Empty as a spoon
that might be filled
with strawberries and cream
Allergic to common fare,
she tries to derive sustenance
from square boxes
Prowling the grocery aisles
her hunger shakes packaged granules
She craves a small plate of friendship
a beckoning hand or caress
gently curved around her middle
Empty as a spoon
that might be filled
with strawberries and cream
The Meaning of Roundling
With the edges of our eyes, we catch glimpses
of roundlings peeking through windows.
Gentle creatures, ready to bolt, so fragile
with dark traumas passed onto them.
Best not to talk the language of x,y,z.
A whisper, "why didn't you" or "you should"
is an attack of syntax, a barbed construction
that shatters them. They will run away
with the thought, "It is not safe here."
Once they flee, the void aches
with absence of oval tenderness.
Sometimes they can be enticed
with soft fruits and the scents
of fresh lemon, orange or tangerine.
Round stones will please.
Feed them colors, speak in fluted ragas
and offer acceptance.
First printed in Mannequin Envy
With the edges of our eyes, we catch glimpses
of roundlings peeking through windows.
Gentle creatures, ready to bolt, so fragile
with dark traumas passed onto them.
Best not to talk the language of x,y,z.
A whisper, "why didn't you" or "you should"
is an attack of syntax, a barbed construction
that shatters them. They will run away
with the thought, "It is not safe here."
Once they flee, the void aches
with absence of oval tenderness.
Sometimes they can be enticed
with soft fruits and the scents
of fresh lemon, orange or tangerine.
Round stones will please.
Feed them colors, speak in fluted ragas
and offer acceptance.
First printed in Mannequin Envy
Recipe for Healing
Ingredients:
1/2 cantaloupe (seeds removed)
1 tsp sweet tears
wilted leaves of bibb lettuce
Weep and catch
the tears in a spoon,
gently sprinkle melon
Inhale my ripe-dew flesh
then serve on a bed
of wilted lettuce
In a china bowl
with a few delft
lines of blue
Whispers like
I love you
just as you are
First printed in Houston Literary Review
Ingredients:
1/2 cantaloupe (seeds removed)
1 tsp sweet tears
wilted leaves of bibb lettuce
Weep and catch
the tears in a spoon,
gently sprinkle melon
Inhale my ripe-dew flesh
then serve on a bed
of wilted lettuce
In a china bowl
with a few delft
lines of blue
Whispers like
I love you
just as you are
First printed in Houston Literary Review
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